Showing posts with label Shaman Evgeniy. Show all posts
Showing posts with label Shaman Evgeniy. Show all posts

Saturday, April 25, 2009

Evgeniy Shaman in Elegy 58 (feb/mar 2009)










Congratulations to Evgeniy Shaman published in Elegy n°58 (France, feb/mar 2009 issue).






All the excerpts come from his interview with Alyz Tale.

The complete interview is here.











You mainly use black and white or desaturated colours, which adds to the "movie" feeling of your work. Is there a special reason to this choice ?
Special reason is that bw image opens inner sense inner true and a lot of inside the characters and decorations. Full colour image is a certain temptation for our brain and soul and hides an essence.








The location is also plays an important role. A few words about it ?
My decorations are strange rooms, ruins of old houses and buildings, forests and parks, city scapes. All my backdrops (locations) are like a live supplement to the live subjects, just like in Tarkovsky’s works. They play a major role in the general atmosphere.








The feminine body is a key element of your univers. How do you look at it ?
Like at a combination of sensual-emotive charector with everything that exists in nature and with everything that our fantasies can generate.




"Border V 2 - Fos"





Monday, April 6, 2009

Evgeniy Shaman's Exhibition, April 27th to May 23rd, 2009









Evgeniy Shaman will be exhibited at :

The Fairfields Arts Centre Art Gallery (UK)

From Monday 27th April to Saturday 23rd May, 2009
Council Road - Basingstoke, Hampshire, UK







"One cigarette before second war"










" The Fairfields Arts Centre Art Gallery is very pleased indeed to curate this outstanding show of work by three contemporary international photographers, whose work is very much fine art as well as photography.






"Border - fos"




By the term Fine Art Photography we mean photography that is as much, if not more, about the artistic vision and creative imagination of the photographer, rather than just documenting what is in front of the lens.

In this exhibition we are showing nearly forty works by three different photographers. They are Buckner Sutter, from Usa, Evgeniy Shaman from Russia, and Ayse Gorgun from Turkey :
Buckner Sutter creates stunningly atmospheric landscapes under dusk or night skies.

Evgeniy Shaman’s intense and ethereal models gaze out of strange rooms in abandoned cities.

And Ayse Gorgun’s imagery harkens back to a kind of quintessential romanticism."





"Last day of Gomora"



Thursday, March 12, 2009

Evgeniy Shaman published in Elegy (France)












A great bravo to the so poetic photographer Evgeniy Shaman (from Russia) who has just been published and interviewed by the French cultural magazine Elegy, Feb/Mar 2009 Issue.









"Travelling with the night wind"










"Sandra - page 44"










"Wind mood V.2"










"Second dream of dollsmaker V.2"










"My retro"










"Fade out - part 2"

Monday, October 6, 2008

Evgeniy Shaman



His official site : Evgeniy Shaman





"Between and timelessness"










"Noise inside of the moon"










"Elegy of emptiness"

Sunday, December 2, 2007

Sunday, October 28, 2007

Evgeniy Shaman








You'll find Evgeniy Shaman at : photo.net, photosight.ru, Nonstop Photos.











"Broken world - more poetic"










Evgeniy Shaman is one of these inspired and so gifted artists I belove.

Imaginative, prolific, poetic, creative, always authentic, will I find enough words to describe all the emotions I feel contemplating his fantastic work ?

There are no "free" pictures in his portfolios. Each shot is a story he tells us, which touches our heart, full of this melancholic russian "touch" I appreciate so much, as you know it.

So, to make short, I'm sure you can imagine the pleasure I feel to welcome him here inside.








"Puzzle cube"









Born in 1982 in Moscow, Evgeniy Shaman is the winner of several photography competitions. Many of his works are in private collections in Russia and abroad.

" My style is Dark Art (a rift towards darkness). I think, it’s much harder to create an impression of coldness, sadness, human pain than of joy and laughter. That’s why I chose this path !"











"Elle - Second dream of dollsmaker"





Extract from an interview by Juliana Voloz :


" In the process of doing the shoots I have defined two requirements that help to convey feelings and emotions more fully.

First, I need a precise, competent actor, who can generate lively emotions (even though they are invented for each scenario).

Second, it’s being able to recall previously experienced emotions and to re-enact them. Satisfying the second condition can be harder for me, but the result is, as a rule, much more powerful.

These two conditions, of course, can be intertwined. Wonderful, deep, and truly unique works are born out of such photographic experiments.









"Light"
Album of Lily series









" The artistry itself is an inseparable part of the scenario, of the creation of the images during the shoot. I mean the clothes, the decorations, the make-up, etc. It doesn’t matter whether the picture is manipulated on a computer or manually, whether it’s a film or a digital file. The important thing is that the artist has put his soul into his work, his emotions, and that they are seen and valued."








"Dark"
Album of Lily series











"Axis flip"





The difference between honest and simulated emotions can be seen in two examples of Nude shooting, where it was necessary to convey the mutual feelings and emotions of two partners : one couple (a man and a woman) were just good friends, they were partners on the set. The other couple were close ; they were in love with each other. In this example, where we were trying to convey the closeness between two people, their emotions and feelings, pictures of the second couple certainly outdid the first by 101%.

At one shoot I was able to experience myself what it means to pose with a good model (a good actor) or with a person who is close to me (the woman I love). The result is certainly better when the emotions are not simulated. You can sense these emotions immediately – they just sweep over you out of the tender (or rough) touches, the confluence of the gazes, the mutual aura of these two people.










"Twilight Café"





But, closeness and tenderness are not always the topic that the photographer wants to explore. Sometimes he wants the opposite, to convey a feeling of distance and coldness between people. Then I invite people whom I know to be completely different from one another, in character and in behaviour. BUT, if they are able and talented actors, even people who are deeply in love with each other can be good at conveying estrangement and coldness. Then the success of the project depends on the abilities of the art photographer, and, of course, of the actors.









"My classics"










"Stranded"






Evgeniy Shaman ©